Nawazuddin Siddiqui: In lockdown people watched world cinema


In 2020, Nawazuddin Siddiqui has enjoyed three digital releases in Ghoomketu, Raat Akeli Hai and Serious Men. If Honey Trehan’s directorial debut was a moody murder mystery, Sudhir Mishra’s adaptation of Manu Joseph’s novel Serious Men brought out the blatant divide between the haves and the have-nots in the country.

Siddiqui, who won rave reviews for his performance in the latter, says the digital medium is not only a breath of fresh air for artists like him, but has broadened audiences’ horizons. “[Until now] People used to watch romantic movies with the song and dance routine, a few stunts, and a happy ending. Viewers felt that this was all that cinema could be, given that they had only been exposed to such films over the years. But in the lockdown, people started watching world cinemas. Now they have more knowledge about movies, and that will work to our advantage. Actors like me, who indulged in movies like Raman Raghav [2016] and Manto [2018], will be able to find a balance. “

Even though he favors unusual cinema, the actor tries a mainstream romantic comedy starring Shamas Siddiqui’s Bole Chudiyan. “The romance portrayed in Bollywood movies is fake and I can’t. I prefer realistic novels,” he says.

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