The small state of Goa has been a wonderful destination for our filmmakers over the years. Rohit Shetty shot and based most of his films there. Apart from this, there have also been films in which Goa played indispensable roles like Honeymon Travels Private Limited , DIL CHAHTA HAI , KABHI HAAN KABHI NAA , go Goa Gone Search FANNY  Etc. then was DUM MAARO DUM  Which talks about the dark side of this beach state and the drug mafia. Now Mohit Suri Future explores the idea in its latest flick, Malang in its style with loads of madness and romance. So does MALANG manage to entertain and appeal to its target young audience? Or does it fail to impress? Let us analyze.
Malan is a story of love and revenge. The film consists of two tracks playing simultaneously. The flashback track shows Advaita (Aditya Roy Kapur) with a troubled family history, going to Goa for some fun. Here he meets Sara (Disha Patani) who has come to Goa from abroad to overcome his fears. On drugs and running away from the police, they fall for each other. At first they decide to keep their relationship casual but things get serious. In the current track, after five years, Advaita is released from prison. He is now a killing machine with anger in his eyes. As he comes out, he calls Inspector Anjane Agashe (Anil Kapoor) and informs him that he is about to commit a murder. Agashe takes it lightly at first but in a short time Advaita kills a person, also a police inspector named Victor (Vatsal Seth). A few hours later, he killed two more policemen – Nitin Salgaonkar (Keith Sikera) and Deven Jadhav (Prasad Javade). The trio works under Inspector Michael (Kunal Kemu). He married Teresa (Amrita Khanvilkar) and their marriage is on the rocks. He believes in following the law and has trouble settling the case with Agrasa, who relies on chance encounters. Both get work before Advaita kills someone else. During his investigation, Michael begins to follow Jessie (Ellie Avram), who believes he is connected to the case. Meanwhile, Agashe comes to Advaita. The latter had an opportunity to escape, but he does not. He will surrender honestly. What happens next makes the rest of the film.
The story of Aseem Arora is decent. But this bhel puri Of various films like EK VILLAIN , Dead 2 , BERRY , Race  Adi Anirudh Guha’s screenplay ensures that most of the scenes do not give a compelling performance of any film. A lot is happening in the film and the screenplay is written in such a way that it does not bore the audience. Asim Arora’s dialogues are subtle but sharp and do not go over the top in most places.
Mohit Suri’s direction is good. There is a significant improvement from his previous films. There is a lot of style in his execution which gives the film a new and nice touch. There are a lot of characters and subplots but he basically combines them. In addition, often, filmmakers go psychedelic ways showing the effects of drugs on the protagonist. It has become quite clear now and surprisingly, Mohit does not go that route at all. Some scenes are handled very well, especially scenes of the present. But on Flipside, some developments are not aimed at whether it is a love story or Michael’s dilemma. Even Advaita and Sara’s backstory seems half-baked.
MALANG begins on a large scale note. The one-action scene is quite entertaining. The film then moves to a flashback mode in which Advait and Sara’s romance is shown. It is mixed with exciting parts of the present. There are parts here as Agashe interrogates an African drug dealer (this is sure to raise tons of laughter), Agashe finding Nitin Salgaonkar and of course the intermission point. After Interval, the flashback slows the film down a bit as one is more curious to see if Advaita is once in the clutches of the police. The story has a solid twist and although it comes as a shock, it is also a bit convenient.
Malang | Public review | Aditya Roy Kapoor | Disha Patani | Anil Kapoor | Kunal Khemu | First day first show
Talking about the performance, every artist does a good job. Aditya Roy Kapoor is in superb form. He looks very confident with a vengeance as a fearless man who can take on dozens of goons. His performance in some important scenes could have been better but he succeeded. Disha Patani has probably got the highest screen time so far. She looks gorgeous and performs heartily. Anil Kapoor provides comic quotes. But his character is much more than just a funny man and the talented actor gets it right. And he looks dashing! Kunal Kemu’s character also has a lot of shades and he rocked the show. Ellie Avram is the best. His dialogue delivery could have been slightly better. Vatsal Seth, Keith Sikera and Prasad Javade are fine. Devika Vats (Vani Agashe) leaves a big impression in a cameo.
The music of the film is weak and such a film should get super-hit music. Title track and ‘Hui Malang’ Many are excellent and well shot. ‘Chal Ghar Chalen’, ‘Bande Elahi’, ‘Humraah’ And ‘Phir Na Milen Kabhi’ Decrease repeat value. Raju Singh’s background score is dramatic.
Vikas Sivaraman’s cinematography is stunning and one of the best in recent times. Note how the first scene (long one-shot shot) is captured and enough care is taken not to show Aditya Roy Kapur’s face for the right time. Even the scenes of Goa and Mauritius are captured to perfection. The production design of Vinati Bansal and Siddhant Malhotra is a bit dramatic but works. Ayesha Dasgupta’s costumes are super stylish, especially worn by Aditya Roy Kapoor, Disha Patani and Anil Kapoor. The way Anil wears his police shirt on a T-shirt and keeps it non-stop makes a unique style statement. Ijaz Gulab’s action is not too gory and feels realistic. NY VFXwaala’s VFX is fine. Devendra Murdeshwar’s editing is simple.
Overall, MALANG is high in style with good performances and thrilling moments, but has an average storyline. At the box office, it gets the benefit of a clear window of only one week and hence it will do average business.